The following is just an few of other titles in stock for Bands. Many
issues are re-ordered every day, so please, if there is another title you
need, just complete the order
form or email.
| Title |
Description |
Dif. |
Composer |
Price |
Pub. |
Pub. # |
| Acclamation |
Symphonic Variations for Band. Encompasses a fanfare
open, a statement of theme and three large variations. Each variation captures
aspects of acclamation or praise. |
M |
Curnow |
64.00 |
Curnow |
CMP0173.98 |
| Accolades |
Written in 1996 to commemorate the 100th running of the
Boston Marathon. The music captures the
spirit of the marathon and proudly exudes this energy. |
M |
|
50.00 |
Queenwood |
885022 |
| African Folk Trilogy |
Features children's songs with traditional accompani-
ment. African music is characterized by melodic patterns repeated with
variations and improvisations. |
VE |
McGinty |
32.00 |
Queenwood |
881189 |
| Air Force March |
Performed at the anniversary of the liberation of Plzen
from the Nazis by General Patton’s 3rd army. |
M |
Sak/Clark |
50.00 |
TRN |
9807 |
| Air Force One, Music from |
The Parachutes and Welcome Aboard, Sir |
M |
Goldsmith/Moss |
50.00 |
HL |
4000666 |
| Air Waves |
Concert march as played by Bachman's Million Dollar Band
as the signature theme for the famous radio broadcast of bad concerts.
Suitable for cotest use. |
M |
Olivadoti/Foster |
60.00 |
Southern |
S727 |
| All Pleasant Things. . . (a song for Barbara) |
Commissioned by the Northshore Concert Band |
MD |
Barnes |
75.00 |
Southern |
S723 |
| All The Pretty Little Horses |
An American folk lullaby in minor mode. |
E |
McGinty |
32.00 |
Queenwood |
882189 |
| Bad Baby Blues |
|
E |
Cotter |
32.00 |
RBC |
100196 |
| Banana Split |
|
ME |
Martin |
38.00 |
Barnhouse |
015-2946.00 |
| Barcarolle from Tales of Hoffman |
A quick rehearsing visit to a work that has endured for
over one hundred years. Brubaker's scoringg features long legato lines
with the opportunity to demonstrate phrasing. Gracious and beautiful. |
ME |
Offenbach/Brubaker |
40.00 |
WB |
BD9853 |
| Battle Hymn of the Republic |
(Grade 2 teaching aids and bass line reinforcement. |
ME |
Steffe/Bocook |
40.00 |
HL |
8724638 |
| Battle Hymn of the Republic |
Optional Chorus and Strings |
M |
Steffe/Dragon |
60.00 |
HL |
4001777 |
| Bay Town Festival |
The city of Salvador, Brazil is also known as “Bahia.”
From 1549 to 1763 this bay town was the capital of the Portuguese colony
of Brazil, and is located 800 miles Northwest of Rio de Janeiro. Come to
a party at Bahia! |
ME |
Hannickel |
49.00 |
Curow |
0212-98 |
| Beau Ideal March, The |
First published in 1893, was dedicated to the newly formed
National League of Musicians of the U. S. The title was a catchphrase of
the late 19th C., connoting that which enjoyed popular favor. |
M |
Sousa/ed. Worman |
76.00 |
Daehn |
|
| Bell Tower, The |
Captures not only the great legacy of bells as a celebration
and “calling together,” but also the actual sounds of bells as they are
heard in different circumstances. |
VE |
Gorham |
35.00 |
WJ |
3010701 |
| Big Bad Bones |
Trombone Section Feature. A rollicking, fun piece of
music with a “rock and roll” feel. |
E |
Toms |
39.00 |
Curnow |
0227.98 |
| Big Circus March, The |
Fun, fast and easy! |
VE |
Foster |
35.00 |
WJ |
3020801 |
| Big East March, The |
Designed to produce a full, rich sound in both outdoor
and indoor performance at all times. |
M |
Reed |
50.00 |
Kjos |
WB207 |
| Big Picture, The |
Th. from “Lawrence of Arabia, The River Kwai March, The
John Dunbar Theme, Somewhere, My Love, Braveheart, Main Title, The Exodus
Song |
M |
arr. Higggins |
60.00 |
HL |
4000660 |
| Blue Ridge Point |
|
E |
Kirsch |
40.00 |
RBC |
UIL20198 |
| Blues Brothers, The |
Featuring Everybody Needs Somebody to Love, I Can’t Turn
You Loose, Soul Man, Respect and Gimme Some Lovin’ |
M |
arr. Taylor |
60.00 |
WB |
CB9821 |
| Blues for T |
Written for and dedicated to John Tatgenhorst. It is
reminiscent of Dizzy Gillespies’ Salt Peanuts. A showcase for various sections
of the band and ends in a manner typical of the big bands of the swing
era. |
M |
Haspiel |
42.00 |
C Fischer |
BCB136 |
| Bombasto, O. R. Faarrar’s |
Concert March |
M |
Edmondson |
50.00 |
Queenwood |
884072 |
| Bonnie Annie Laurie, March |
Concert March |
M |
Soussa/Thurston |
35.00 |
Ludwig |
SBS379 |
| Brief Celebration, A |
An outgrowth of the expansion of a small amount of thematicc
material, exxpanded - here a “tonic 6/4 chord.” |
|
Wormer |
60.00 |
TRN |
9806 |
| Bring Him Home |
from Les Miserables |
E |
Schonberg/Moss |
40.00 |
HL |
8724634 |
| British Waterside (or the Jolly Sailor) |
|
M |
Grainger/Wilson |
65.00 |
HL |
50483294 |
| Brookfield Fair |
Concert March |
ME |
Moss |
50.00 |
HL |
4000692 |
| Bryce Canyon Overture |
Bold work depicting the wonder of the rock formations
in southern Utah. Opens with a fanfare and moves through a variety of moods. |
VE |
Williams |
35.00 |
Alfred |
17132 |
| Can Can, The |
The Can Can is probably today’s best remembered part
of the operetta “Orpheus in the Underworld, and Offnbach’s “greatest hit.” |
ME |
Offenbach//Hannickel |
39.00 |
Curnow |
0215-98 |
| Candle in the Wind |
|
VE |
Elton John/Lavender |
35.00 |
HL |
872-4450 |
| Canterbury Walk |
In the grand tradition of the British wind band. |
M |
Strommen |
60.00 |
Alfred |
18241 |
| Capriccio Espagnol |
This arrangement of the final sections of Capriccio Espagnol
capture its exciting Spanish flavor and rhythms in a format that is very
accessible to young bands. |
ME |
Rimsky-Korsakov/Williams |
60.00 |
Alfred |
4374 |
| Carnival of Venice |
Trumpet Trio with Band |
M |
Bellack/Bullock |
45.00 |
WB |
BD9846 |
| Carnivore |
With the imagery of diosaurs projecting on most of today’s
media, it’s easy to imagine what kind of worlk they may have lived in.
Many of these fierce beasts were carnivores. |
ME |
Bulla |
42.00 |
Curnow |
0177-98 |
| Cavatina |
An expressive melody using creative interplay within
sections enhances this reflective piece. An ideal teaching piece as well
as appealing audience music. |
E |
Hodges |
38.00 |
Alfred |
18224 |
| Celebrants |
Celebrants is intended to reflect the pomp and majesty
of a religious celebration followed by the buoyat and soarig expression
of ones faith. |
M |
O’Connor |
70.00 |
RBC |
100206 |
| Celebration Fanfare |
Vigorous fanfare that opens with a sixteenth-note motif.
The modal sounds are a unifying factor of the piece with ends with a dramatic
flourish, capped by a harmonized glissando in the trombones. |
MD |
Williams |
55.00 |
Alfred |
18251 |
| Celebration Hymn |
A cantabile style, commissioned in memory of Mr. Sam
Watson, a Texas bandmaster. |
M |
Allen |
60.00 |
TRN |
9532 |
| Centennial |
Centennial is a celebratory piece. Begins with quiet,
“distant’ percussion, a woodwind statement increasing in intensity before
the brass is introduced. Dependable percussion helpful. |
M |
Strommen |
65.00 |
Alfred |
18245 |
| Centennial Symphony |
Written as a celebration of the 100th anniversary of
the birth of Howard Hanson. |
M |
Hartley |
135.00 |
Ludwig |
SWO-367 |
| Centurion |
This very easy, yet powerful work evokes the ancient
time of the soldiers of the Roman legion using only 6 notes, with eighth
notes limited to the percussion section. |
VE |
Williams |
35.00 |
Alfred |
18212 |
| Century Point |
A distinctive composition full of inventive writing.
Great interplay between brass and woodwinds. Available on CD |
M |
Sheldon |
68.00 |
Barnhouse |
012-2904-00 |
| Chaconne |
From J.S. Bach’s Partita No. 2 i D minor. Percussion
parts are optional and may be used for a large concert band performance
or omitted for smaller wind ensembles. |
MD |
Bach/Daehn |
86.00 |
Daehn |
9811 |
| Changing Times |
Two contrasting moodes and the exploration of time signatures
in 4/4, 3/4 and 2/4. Contemporary sounds that will please students and
parents alike. |
E |
Kinyon |
35.00 |
Alfred |
18200 |
| Chesterfield |
An overture in ABA form, with jubilant outer sections
contrasted by a slow, lyrical middle section. An opening fanfare-like motive
that is later significant. |
E |
Spears |
42.00 |
C Fischer |
BCB138 |
| Children of Sanchez |
|
M |
Mangione/Fabrizio |
40.00 |
WB |
CB9819 |
| Chimes of Liberty |
Concert March. A brilliant new edition of oe of the best
known marches of Goldman. Perfect as a contest march for better school
bands. Good for college and community too. |
MD |
Goldman/Schissel |
60.00 |
Barnhouse |
2911-00 |
| Chinese Suite for Band, Mvt 1 |
“Love Song” ABA form, huge and dramatic contrast between
sections, from slow and intimate to an exciting thickening of the texture. |
M |
Hua Yang |
45.00 |
RBC |
10082 |
| Chinese Suite for Band, Mvt 2 |
“Song of a Cheerful Woodcutter.” Fairly fast. Colorful
effects of different orchestrations. Varied percussion, articulations,
sudden dynamic changes, irregular rhythmic patterns. |
M |
Hua Yang |
45.00 |
RBC |
10083 |
| Chorale in D Minor |
First appears as one of the 69 chorale melodies titled
“Mein Jesu” which was published in 1736 and attributed to J.S. Bach |
ME |
Bach/Topolewski |
50.00 |
Kjos |
WB192 |
| Concerto for Clarinet, K. 622 |
Transcribed for wind ensemble with attention given to
retaining the timbres of the wind ensembles of Mozart’s era. |
D |
Mozart/Rumbelow |
125.00 |
WB |
DH9703 |
| Concerto for Euphonium |
Three continuous movements illustrating the versatility
of the euphonium. |
MD |
Curnow |
129.00 |
Curnow |
0197.98 |
| Conquest |
from Captain from Castille |
ME |
Newman/Phillippe |
40.00 |
WB |
CB9822 |
| Contrasto Grosso |
Small groups of the band perform as features in this
dance fragment suite of today. |
M |
de Haan |
59.00 |
de haske |
970945 |
| Conzensus |
Stately concert opener |
MD |
Van der Roost |
64.00 |
De haske |
960767 |
| Cool Blues for Clarinet |
Clarinet section feature |
ME |
Ployhar |
40.00 |
WB |
BD9809 |
| Coronado |
Latin-flavored piece that could be a great opener or
closer to any concert. A great way to introduce sophisticated rhythms. |
ME |
Meyer |
45.00 |
Alfred |
18232 |
| Cottonwood Canyon Rhapsody |
Energetic, delightful, and meditative |
M |
Kopetz |
75.00 |
Kjos |
WB203 |
| Count Trickula (The Tricky Count Song) |
Young bands will enjoy the slight humor in this novelty
work in a minor key that is designed to be an introduction to syncopation. |
E |
Compello |
35.00 |
C Fischer |
BBS70 |
| Country Wildflowers |
Loosely based on an old Scottish folk song that first
appeared in “Mrs. Cockrat’s Manuscript Music Book” in 1709 and later in
“The Tea-Table Miscellany” in 1725. |
E |
Daehn |
36.00 |
Daehn |
|
| Crane, The 9 (Finale from Symphony No. 2) |
The last movement of Tschaikovsky’s second symphone is
based on a Russian folk song called The Crane. This is an abridged version,
lowered from C to Bb major. |
M |
Tchaikovsky/Droste |
80.00 |
Grt Wrks |
00261 |
| Cross Creek |
Commissioned by and dedicated to the Hicksville (NY)
High Concert Band |
ME |
Strommen |
50.00 |
WB |
BD9808 |
| Crossed Spears |
Military March for concert band. |
M |
Booker |
60.00 |
Southern |
S706 |
| Cutting of the Hay, The |
Based on melodies found among a collection of Ancient
Irish Music, arranged by Grainger for piano in 1908. |
M |
Grainger/Wilson |
65.00 |
G Schirmer |
50483326 |
| Dance Celebrations |
A sonic portrait of visual motions and internal moods
felt during a sojourn throught the Baltimore area. Festive and exciting
with a mysterious, ethereal center section. |
M |
Spears |
80.00 |
RBC |
100203 |
| David’s Lyre |
An experience in chance sound and traditional instruments
in nontraditional timbre. A good introduction to the unique approaches
sometimes used in contemporary music. |
ME |
Osmon |
40.00 |
RBC |
10086 |
| Deep River |
A Chorale Prelude based on the well-known spiritual.
Rich, resonant and familiar to listeners and students. |
M |
Swearingen |
45.00 |
Barnhouse |
012-2917-00 |
| Die Meistersiger |
Exerpts from Act 3 |
M |
Wagner/Milford |
65.00 |
Alfred |
18248 |
| First Suite for Band |
Procession, a stately march with frequent instrumentation
and tonality changes, meter changes; Reverie, with solo trumpet parts;
finally Scamper, racous and lively. |
MD |
Jager |
75.00 |
Kjos |
WB189 |
| John Denver: A Symphonic Portrait |
Based on three songs and performed as three separate
works or three movements performed continuously. Optional cornet solo. |
M |
Denver/Bilik |
60.00 |
HL |
4001769 |
| Lyric Remembrance, A |
Commissioned by the US Air Force Band of the West as
a memorial to the men and women of the US Air Force who have given their
lives in the service of their country. |
MD |
Nixon |
60.00 |
Kjos |
WB202 |
| Place Where the Reeds Were Destroyed |
Multi-movemet programmatic work based upon the legend
of Acapulco. |
M |
Hilliard |
|
Kjos |
WB188 |
| Simple Song |
A quiet, simple and lyrical piece by the composer of
“I Am” and “Kinetic Energy” |
m |
Boysen |
55.00 |
Kjos |
WB199 |
| Synergy |
Explosive from beginning to end. A natural concert closer
or encore selection |
M |
Jordan |
70.00 |
Kjos |
`WB173 |
| Two Sketches |
Begins with “Gettysburg Hymn,” a stately chorale. The
second is “Marching Song” with contrasting sections and a main theme in
canon. Section opens and closes with fanfare. |
MD |
Turrin |
70.00 |
Kjos |
WB184 |
| Vigil: For Those Who Do Not Know |
Modal with a resolution to a major chord. The Latin text
in this work is an adaptation from Dr. Martin Luther King’s famous “I Have
a Dream” speech. |
MD |
Douglas |
65.00 |
Kjos |
WB181 |